S06E09 — aired 2006-05-07

The Ride

Season 6 episode guide — plot, credits, music, and analysis.

Plot

The episode opens with a somber tone as Tony Soprano and Dr. Melfi navigate his escalating anxiety about his son Christopher leaving for college. The therapy session quickly reveals that Tony's fear of abandonment is mirrored by Christopher's own panic regarding the future. This tension culminates in Christopher making a surprising announcement: he has decided to drop out of school entirely. He explains that the pressure to succeed academically feels crushing and that he wants to explore other paths, specifically mentioning his interest in music and potentially moving away from the family business. Tony is initially shocked but then seems to accept it, though the underlying fear that Christopher will drift too far remains. Meanwhile, the show moves to New Jersey for a trip with Junior Soprano and Paulie Walnuts. The atmosphere is thick with suspicion as they discuss the recent events at the Italian Street Fair. Paulie has been under investigation by the FBI for cutting costs on safety measures, specifically regarding the fireworks display. The stakes are high; if Paulie is caught lying to federal agents about the safety protocols, he could face serious legal trouble. To avoid this, he decides to cut a deal with the Feds, agreeing to provide information that might implicate others in exchange for his own protection. This marks a significant shift in Paulie's character as he realizes the old ways of covering up mistakes are no longer viable. Back in New York, Christopher’s decision to leave college sends Tony into a state of contemplation about his own legacy and retirement. He begins to distance himself from the day-to-day operations of the family business, signaling a desire for a quieter life. However, this transition is not smooth. The episode takes a dark turn when Christopher's new girlfriend, Janice, brings up the topic of suicide in a way that deeply unsettles Tony. It triggers a flashback or internal monologue about his own mother and her struggles with mental health, adding another layer to Tony's psychological complexity. The tension reaches its peak during a dinner scene where the family gathers. The mood is heavy as they discuss Christopher's future. Tony tries to reassure himself that he can handle life without being the sole provider for everyone, but the weight of his past actions and the potential consequences of his inaction loom large. The episode ends with a sense of unresolved tension, leaving the audience wondering if Christopher's departure will lead him down a dangerous path or if Tony's attempt to retire will actually benefit the family.

Credits

Executive Producers: David Chase, Robert De Niro, Ed Trucco Created by: David Chase Directed by: Tim Van Patten Written by: David Chase and Robert De Niro Starring: James Gandolfini, Lorraine Bracco, Edie Falco, Michael Imperioli, Dominic Chianese, Steven Van Zandt

Music

"The Ride" - The Who "The Long and Winding Road" - George Harrison "Love Is a Many-Splendored Thing" - Ella Fitzgerald "Sittin' on the Dock of the Bay" - Otis Redding "Blue Suede Shoes" - Carl Perkins "Sweet Child O' Mine" - Guns N' Roses

Analysis

In "The Ride," David Chase continues to dismantle the myth of the invincible mob boss, replacing it with a portrait of a man fraying at the edges. The title itself is a metaphor for the precarious journey Tony finds himself on as he tries to navigate the transition from active crime lord to retired family man. The episode serves as a crucial turning point where the boundaries between Tony's personal life and his professional obligations blur dangerously. The decision by Christopher to drop out of college is a pivotal moment that challenges Tony’s worldview. Throughout the series, Tony has often viewed education as a path away from the family business, something he himself rejected. Yet, in this episode, he finds himself grappling with the reality that his son's rejection of traditional success mirrors his own rebellion against conventional morality. The fan perspective here is key: Christopher isn't just running away from school; he is running toward a version of himself that Tony never fully embraced. This creates a tragic parallel between father and son, where both are seeking escape from the pressures of their respective worlds. Paulie’s storyline offers a stark contrast to Tony's internal struggles. Where Tony hides behind his "old school" persona to avoid facing difficult truths, Paulie is forced to confront them head-on by engaging with the FBI. This shift highlights the changing landscape of the criminal underworld in the late 2000s, where traditional mob tactics are no longer sufficient to protect one's interests. Paulie’s willingness to cooperate with authorities suggests a fundamental change in his character, moving from a loyal but foolish enforcer to someone who understands that survival sometimes requires breaking old codes. The episode also delves into the theme of retirement and its psychological toll on Tony. As he begins to step back from daily operations, he faces the haunting realization that his identity is inextricably linked to his role as the head of the family business. The fear of being replaced or rendered obsolete drives much of his anxiety. This is particularly evident in his interactions with Dr. Melfi, where he struggles to articulate why he feels so threatened by Christopher's independence. Ultimately, "The Ride" is a meditation on the cost of power and the inevitability of change. It forces the characters to confront their mortality and the legacy they leave behind. For fans of the show, this episode serves as a reminder that the mob life is not just about violence and strategy; it is also about the human condition and the search for meaning in a world where rules are constantly being rewritten. The unresolved tension at the end of the episode sets the stage for further developments in Christopher's story, leaving viewers eager to see how he will navigate his new path and whether Tony's attempt at retirement will hold up under the pressure of their shared history. where to watch