S05E01 — aired 2004-03-07

Two Tonys

Season 5 episode guide — plot, credits, music, and analysis.

Plot

The season opens on a somber note as Tony Soprano sits in his office, reflecting on the passing of his father, Johnny. It is a quiet moment of introspection that quickly turns into a strategic briefing with Pucci. Tony needs to address the growing threat inside his organization regarding drugs and informants. He decides to send Paulie Walnuts out on an errand disguised as a simple visit to Shiftz's place. The plan involves Paulie going in to collect a shirt for Johnny, but there is an unspoken expectation that they are looking for signs of infiltration. While Tony waits for news, he engages in the classic internal monologue that defines his character. He worries about loyalty and betrayal, convinced that someone close to him is feeding information to the feds. His paranoia leads him to question Paulie's reliability immediately upon his return. When Paulie walks back into the office, looking confused and slightly agitated, Tony snaps. He grabs Paulie by the shirt front, screaming a warning about the dangers of lying to him. The threat is visceral and specific: if Paulie lies, Tony warns that his mother could die of cancer in her eyes. It is a moment where Tony's protective fatherhood clashes with his ruthless mobster persona, blurring the lines between personal tragedy and criminal business. Meanwhile, Christopher Moltisanti finds himself in deep trouble. He has been trying to navigate the world of acting without getting caught up in his past life, but his old habits are catching up to him. He meets with an agent who is skeptical of his career potential, hinting that Christopher might be better suited for a different kind of role—one involving violence rather than lines. This interaction reinforces the central conflict of Christopher's arc: he wants to leave the family business, yet the pull of it is undeniable. The episode also introduces a new layer of tension with the arrival of Livia Soprano at her daughter's house in New Jersey. She brings a chaotic energy with her, demanding attention and control over Tony's life even from afar. Her visit sets the stage for future confrontations regarding therapy and family dynamics. The narrative weaves through these threads, showing how the personal lives of the mob are inextricably linked to their professional operations. The tone is heavy, underscored by the knowledge that the old guard is gone, leaving a power vacuum that threatens to tear the organization apart from within.

Credits

David Chase serves as creator and executive producer, with Matthew Weiner, Terence Winter, and Robin Green also holding executive producer credits. The show runs at 90 minutes for this episode. James Gandolfini plays Tony Soprano, Edie Falco portrays Carmela Soprano, Michael Imperioli is Adrianna "Adrian" Baccalieri, Steven Van Zandt plays Silvio Dante, Jamie-Lynn Sigler plays Meadow Soprano, and Aida Turturro plays Livia Soprano. The supporting cast includes Tony Danza as Christopher Moltisanti, Robert Iler as Junior Soprano, Dominic Chianese as Corrado "Junior" Soprano, and the ever-present Paulie Walnuts played by Mike Faist.

Music

The episode features a curated soundtrack that sets the mood for the dramatic events. The following tracks are included in the episode: * "The Man Who Sold the World" by David Bowie * "Sister Golden Hair" by America * "I Can't Stand Up for Falling Down" by Gordon Lightfoot * "The Night They Drove Old Dixie Down" by The Band * "Midnight Train to Georgia" by Gladys Knight & the Pips

Analysis

This episode serves as a crucial turning point for the series, effectively closing the door on the old guard while opening the floodgates for the new challenges Tony will face. The passing of Johnny Soprano is not just a plot point; it is a thematic pivot that forces Tony to confront the reality that his father's era of rule-by-fatherhood is over. Without Johnny's iron fist and his specific brand of wisdom, Tony must now navigate a landscape where loyalty is harder to verify and power is more fragile. The opening scene in Tony's office highlights the psychological toll of leadership in organized crime. His decision to use Paulie as a pawn to check for wiretaps reveals Tony's willingness to sacrifice subordinates to protect his own position. However, the moment he snaps at Paulie exposes his deepest fear: that he is not trusted by those closest to him. The threat about his mother dying of cancer in her eyes is terrifying because it suggests that Tony believes betrayal can lead to supernatural or catastrophic consequences for innocent family members. It shows that his guilt and paranoia have metastasized from the criminal world into his domestic life. For Christopher, this episode solidifies his identity crisis. His desire to act is at odds with his reality as a mobster's son. The agent's skepticism acts as a mirror to Christopher's own self-doubt. He wants to be something more than the sum of his father and uncle's actions, yet he lacks the escape route that others might take. This internal struggle makes him a tragic figure, caught between two worlds that are increasingly hostile to each other. The inclusion of Livia brings the theme of control into sharper focus. Her ability to manipulate Tony from thousands of miles away demonstrates how deeply her influence has taken root in his psyche. It sets up the central conflict of the season: can Tony ever truly separate his professional life as a capo from his personal life as a son and husband? The answer, foreshadowed here, seems to be no. The episode ends on a note of uncertainty. With the old boss gone and the new ones unsure who they can trust, the family is vulnerable. Tony's reaction to Paulie suggests that he will not hesitate to cut ties if loyalty is questioned again. This sets the stage for a season where alliances will shift rapidly, and the cost of maintaining power will be higher than ever before. where to watch