S02E02 — aired 2000-01-23

Do Not Resuscitate

Season 2 episode guide — plot, credits, music, and analysis.

Plot

The season opener finds Tony Soprano in a foul mood, his patience wearing thin as he navigates a new job and a volatile family dynamic. The stress begins early when Tony receives a frantic call from Paulie Gualtieri, who is desperate to borrow money. Tony refuses outright, citing the lack of collateral, but the conversation sours immediately when Paulie mentions that he will be visiting his father in Florida. This triggers a defensive reaction from Tony, who feels betrayed by the suggestion that he isn't worth the trip or the financial risk. The tension escalates when Tony discovers that Paulie has taken his own car without permission, a move that Tony interprets as an open declaration of war. The episode quickly shifts gears to introduce a new threat: a potential merger with the Lucchese crime family. Tony is approached by Al Nigro, who wants to discuss the possibility of bringing the Luccheses into their operation. Tony is skeptical, viewing the move as unnecessary complication, but he agrees to meet with the Lucchese boss, Paul Cicero, and his underboss, Vito Spatafore. The meeting goes poorly; Cicero seems dismissive and arrogant, while Spatafore appears eager to please but clearly out of his depth. Tony senses that this alliance is not in their best interest and that Cicero has designs on controlling the territory. Back home, the domestic front is just as unstable. Carmela is struggling with her own issues, feeling guilty about her recent behavior and fearing she is pushing away A.J. The tension between mother and son comes to a head when A.J. confronts his father about Tony's drinking and his general demeanor. Tony tries to deflect, but the underlying issue of his mental health and the strain it places on the family becomes impossible to ignore. Meanwhile, Meadow is dealing with her own pressures, trying to maintain her academic standing while navigating the complexities of her relationship with her mother. The episode also touches on the financial troubles of the Soprano household. Tony is constantly worrying about money, from the cost of his new job to the expenses of running the family business. He even considers selling his car, a decision that would be unpopular with many of his associates. The financial strain adds another layer of tension to an already unstable situation, making every interaction feel like a potential minefield.

Credits

Written by: Terence Winter Directed by: Tim Van Patten Starring: James Gandolfini, Lorraine Bracco, Edie Falco, Michael Imperioli, Jamie-Lynn Sigler, Anthony Anderson, Robert Iler, Steven Van Zandt, Dominic Chianese

Music

"New York City (N.Y. State of Mind)" by Jay-Z "Theme from The Sopranos" by Randall Edmonds "Little Girl" by The Cure "Blue Monday" by New Order "Sunday Bloody Sunday" by U2 "The Sound of Silence" by Simon & Garfunkel "Stairway to Heaven" by Led Zeppelin "Hotel California" by Eagles "Sweet Child O' Mine" by Guns N' Roses "Back in Black" by AC/DC

Analysis

"Do Not Resuscitate" sets a tone of impending doom that permeates the entire second season. The title itself is a grim foreshadowing, hinting at the fragility of life and the high stakes involved in the world Tony inhabits. From the very beginning, the episode establishes that Tony is not just dealing with external threats but also internal ones that are constantly on the verge of exploding. The introduction of the Lucchese family merger is a bold move that signals the expansion of Tony's ambitions, but it also introduces a new layer of complexity to his relationships. The meeting with Cicero and Spatafore is a microcosm of the power dynamics at play in the mob world, where alliances are often fragile and trust is a rare commodity. Tony's skepticism is well-founded, as he knows that bringing in a rival family could lead to disaster if not handled with extreme care. The domestic scenes provide a stark contrast to the high-stakes action on the street. The tension between Tony and his family is palpable, with each member struggling to find their place in an increasingly unstable environment. Carmela's guilt and A.J.'s frustration are not just personal issues but reflections of the broader dysfunction that permeates Tony's life. The episode does a masterful job of showing how the mob lifestyle seeps into every aspect of Tony's existence, affecting his relationships and his mental health. The financial struggles add another layer of realism to the story, grounding the larger-than-life characters in the mundane realities of everyday life. Tony's worry about money is not just a plot device but a reflection of the constant pressure he feels to maintain his lifestyle and protect his family. The decision to sell his car is a small but significant detail that highlights the extent of his financial difficulties. Overall, "Do Not Resuscitate" is a strong episode that sets the stage for the dramatic events to come in the second season. It introduces new characters and threats while deepening the existing ones, creating a rich tapestry of interconnected stories that will keep viewers engaged and invested in the outcome. The episode is a testament to the show's ability to balance high-stakes drama with intimate character studies, making it one of the most compelling entries in the series. where to watch